Spring Dance at the Coliseum – City Ballet’s Jerome Robbins Program – London Coliseum

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Tonight was an evening I’ve been anticipating since August (yes, I am that much of a geek), when I first heard that City Ballet was coming to London as a part of the Spring Dance at the Coliseum program (which is 85% City Ballet). It’s part of the reason I didn’t go to New York for Easter – I couldn’t see them while I was there, so why bother leaving town when I could just sit on my duff and see them here?

Anyway, tonight was the all Jerome Robbins program, and it was GREAT. The first piece was … oh man, it was like that first time you heard an album you’d been listening to on your grungy old boom box for years, and then suddenly you’re getting to experience it on a CD on a good stereo, and you’re all amazed because it’s ten times better and you’d never noticed there were strings and stuff in the background, and you can hear the singer breathing? Yeah, that was the first piece, “The Four Seasons,” with an utterly fantastic faun in the Autumn scene. I actually got caught up in the movement of fabric in the spring bit because it so vibrantly captured the energy of the dancer. And the winter scene was clever and funny! Who would think it would take Americans to bring wit to ballet? It sure seemed to shake up the night.

The second piece (Moves) was done without music, and I think it kind of freaked the audience out a bit (the woman behind me asked, “Where’s the conductor?”). It was basically a piece about performing, very self-reflexive in a kind of 1970s way, with moves I associated more with William Forsythe than something so much older. A scene in the couples section reminded me of Monet’s multiple studies of cathedrals and haystacks – showing how having different people interact changes the movement that is possible. The third piece, “The Concert,” was pure comedy of the “Look behind you!” variety and the audience laughed their heads off (ballet does lend itself to being made fun of, really) – a real crowd pleaser after the more strenuous piece that proceeded it.

Now I am so excited that I want to go see them again on Sunday even though I’m already going to see them on Tuesday. I just hope I can get someone to go with me (and that I can afford tickets). Sure, it’s Balanchine, and I’ve seen all those pieces again, but THIS time it will be perfect. Aaaaaaah. I love it.

(This was a review for a show on Thursday, March 13th, 2008. Casting was as follows: THURSDAY EVENING, MARCH 13, 7:30 P.M.
Conductor: Kaplow
THE FOUR SEASONS: JANUS: Fowler; WINTER: J. Peck, M. Fairchild, Hendrickson, Carmena; SPRING: Gilliland, Mearns, J. Angle;
SUMMER: Shepherd, Rutherford, Hanna; FALL: Seth, Bouder, Millepied, Ulbricht
MOVES: Krohn, J. Angle
THE CONCERT: Hyltin, Higgins, Piskin, Laracey, Pazcoguin, Veyette, Muller, Laurent, Peiffer, J. Peck )

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One Response to “Spring Dance at the Coliseum – City Ballet’s Jerome Robbins Program – London Coliseum”

  1. Webcowgirl’s review of London theater 2008 « Webcowgirl’s Theatre Reviews Says:

    […] dance performance: New York City Ballet’s Jerome Robbins Program (Four Seasons, Moves, The Concert). I am a big fan of the mixed rep performance (because it […]

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