Review – “The Quiz” – Trafalgar Studios

by

(Note: this show closes Saturday, June 28th, so make your plans to see it right away if you’re interested.)

I have a reputation for being terminally allergic to one-person shows. Just too often they descend into a bunch of self indulgent twaddle, and I find my mind has left the room long before my body can. However, Venus as a Boy was so brilliant that I’ve been rethinking my feelings toward the form. Perhaps … when performed at one go without an intermission, there is hope.

The Quiz, therefore, hit the right buttons at about one hour in total, and the review I read in Monday’s Metro (why they won’t put the damned things online I do not know) indicated it was a comedic twist to a retelling of the Grand Inquisitor (InQUIZitor, get it?) sequence from The Brothers Karamazov, done as a burnt out actor telling the tale of telling the tale to the audience, like HamletMachine but without being so irritating. As I expected, tickets were available today at the TKTS booth (13 quid a pop – but you can also get them in advance for £15 from the Ambassadors website with coupon code “ATGQUIZ.”), so we had a quick takeaway curry from Thai Cottage, then headed off to Trafalgar Studios this evening with fairly high hopes (though the Pimms at the Wetherspoons next door did help).

I found the show quite pleasant, a good value for the money (I know this is a terrible way to view how good a show is, but since I see so many shows that I wear myself out, it’s one of the yardsticks I use) and the investment of time (I was grateful to be home before 11). I love the “breaking the fourth wall” stuff even though I didn’t know how to react to it – did he really want to have us talk back to him? And how would he have handled it if I answered his endless calls for his prompter? Would he have changed the end of the show? Would it have broken his focus?

Anyway, David Bradley was ace – just the kind of person whose hands you want to entrust yourself to when you’re going to spend an hour locked up in a dark room at someone else’s mercies. He handled the transitions between himself, the Inquisitor, his dad, Jesus, and just whomever else he wanted to be beautifully – and when he had the hood on his head, I swear to God, he looked just like Emperor Palpatine. It’s actually a bit of a shame it was only an hour long, though the BIGGER shame was the fact there were only twenty people there the night I went. Get with the program, people! The audience was laughing and chortling quite merrily so it seemed to me like this show MUST be able to pull in more punters to fill the seats. Bradley didn’t seem to stint but I’d really like to see him preening and glowing in the glare of a full house – I think he would have been even better.

Overall, I think there were a couple of points being made – a parallel between the missing prompter and Jesus (I didn’t catch this myself and fully blame the Pimms), and some more grand stuff about the light being extinguished that slipped through my finer filters for drama. But since it was all quite brief, I think the overall point is that it was interesting and funny, well lit, and a great opportunity to watch a top notch actor do it stuff. Catch it if you can! (But the theater is cold, so bring a jacket or a wrap if you don’t have sleeves.)

(This review is for a show that took place the night of Wednesday, June 25th.)

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