Review – Now or Later – Royal Court Jerwood

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Just saw a fantastic play at the Royal Court Jerwood, Now or Later by Christopher Shinn – a play which is receiving a world premiere at this venue (or did a month ago). Wow! When do new plays ever hit the ground this topical and this good? It’s set on election night in America, where the Democratic candidate’s son is holed up in his hotel room watching election results with his best college buddy. As the results come in, news of a scandal is unfolding – pictures of the son dressed as Mohammed at a campus party are showing up on the internet. Will he apologize for being offensive? Will he stand up for his right for political expression? Will his dad ever actually talk to him? Will anyone treat him like he’s something other than a tool his parents use to further his father’s political career?

I had never been to the Royal Court before (the plush seats reminded me of sitting in my dad’s ’69 Pontiac Bonneville, if it had had a brown interior instead of a white one), and starting off our relationship with this play was really just setting up a standard I can only hope the Jerwood can maintain. Eddie Redmayne (as John Junior) was very good, though he had a bit of a strange American accent and seemed to be playing up the mental instability a bit. Nancy Crane, as mom, really had the plasticky-fakeness of politicians down straight. John Senior (Matthew Marsh) seemed to be trying to hard to come off as a “type” (the way he was wiggling his hand by his side just seemed like something he’d seen on TV but not managed to make seem natural for his character), but as he slid into his interaction with John Junior the two of them were positively electrifying, rather like watching the climactic scene of Frost/Nixon. Never have 75 minutes gone by so fast.

I was referred to this by the WestEnd Whingers (really just the best theater blog out there if you’re looking for hot tips for shows to see, or warnings for turkeys), and I am really grateful to them for pointing me in the very, very right direction. Its brevity made it a play that was easy to squeeze into a weekday evening, yet good enough that it managed to lighten my mood after a rather crummy day at work. It’s been extended to November 1st, though tickets are a bit hard to get – try SeeTickets as the venue has almost no availability. It’s your last chance – see it while it’s hot!

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