Review – La Cage Aux Folles – Playhouse Theatre

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On Friday I had the magnificent opportunity to see a well-reviewed play with a topic/theme I found intriguing at the WORLD’s best price ever. Let me be clear about what a screaming deal I am talking about: I saw the Menier’s production of La Cage Aux Folles at the Playhouse, from the third row, for the stellar sum of £5.

To be honest, rather than giving a rip about my review, I think more of you are going to be interested in how I pulled this trick off. It’s all due to joining the Ambassadors Theatre’s mailing list. They have a regular email alert with sort of unimpressive deals, £25 for shows normally £45 or so, which I ignore because it’s not such a good deal. But then this email came out saying “Quick! £5 for first 10 tickets to each show of La Cage for the next month!” And there I was with the email nice and hot in my hand and I was at my keyboard and work was quiet AND I had been planning on seeing this show for ages but just hadn’t done it because I wasn’t willing to cross the £20 price zone and voila magic happened. Seriously.

I’d been planning on seeing this show for ages but was pissed off because the “best seats available for $25” deals all came with a little * and a note at the bottom of the page saying, “*Well, no, not really the best seats, just the seats we’re going to call the best available, because we don’t want to sell you the other seats. You’ll note ‘best’ is ‘really not very good.’ Tough.”

At any rate, I’d almost bought seats a couple of times, and this time I jumped like a spider had just landed on my leg. WHAM. Four seats, 20 quid, HUZZAH! And then I had to wait.

So, after not having seen this show for nearly 7 months since I’d originally been thinking about going to it, how was it, really? Sad to say, I found it unpleasant for a variety of reasons, none of which had to do with the Cagelles, most of whom I wanted to take home with me (or be taken home by). No, it was the script, and the acting, that bugged me. First, Philip Quast (Georges) and Roger Allam (Albin) were … so camp it was positively panto. It felt like straight guys trying to act like how English comedy musical audiences would expect gay characters to be. And then there was the black “maid.” Nolan Frederick may have been an understudy (it seemed like half the cast was), but this wrist flapping, bubbly, squeeing and oohing black man to me was every worst stereotype of a black servant turned gay. I couldn’t believe he found this role within the scope of his dignity to play. I mean, I’ve met plenty of queeny black men in my life but they’ve never felt scraping and servile. It was like being stuck in some horrible revue written by the BNP. Did no one notice how bad it was?

Finally, and there’s nothing to be done about it (other than a major update), but I could not swallow the primary “twist” of the script, that Georges would allow his son to bully him into kicking his life partner out of the house they shared, even for a night. What The F**k. It’s just not done, and I don’t care if it was the 70s. He wouldn’t have put his mother or granny on the street for the night, how could he possibly be okay with doing it with someone he supposedly loved, even for one evening? IT WAS THE HOUSE THEY BOTH OWNED, YOU CAN’T KICK THE OTHER PERSON OUT. And for the son, Jean Michel (Ben Deery), well, he came off as so slimey and unsympathetic that it killed rather a lot of the “comedy,” but it was ultimately Georges betrayal that killed the fun in this comedy. I couldn’t get over the hump of this person being so horrible to his partner and I wasn’t really able to get my funny bone tickled during the show, even when the horrible in-laws-to-be showed up. The songs were kind of nice, I did enjoy all of the numbers with the Cagelles and the big silly scene at the restaurant, I really liked when Georges was wooing Albin at the seaside restaurant, but too much bothered me for me to really enjoy this show.

Here’s what I think. This show should be set to England (to get rid of the comedy element of 9 cast members with English accents and only one with French) and the show should be rewritten so “George” does NOT agree to kick “Al” out, but does agree to pretend to be married to “Gene’s” birth mother (Gene of course never asking for anything so caddish as to have Al turned out of his home). Then we could do the rest of the laughs without the pallor of heartlessness and selfishness that turned La Cage for me. While I can’t say it was a bad show, the way it plays now I found it was a far cry from the light evening of comedy and fun I was expecting.

(This review is for a performance that took place on Friday, July 24th, 2009. La Cage is booking through 2010. FYI, John Barrowman is taking over as Albin/Zasa come September 14th.)

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2 Responses to “Review – La Cage Aux Folles – Playhouse Theatre”

  1. Ben Deery Says:

    Dear Webcowgirl,

    Sorry you didn’t enjoy the show and thank you for your honesty and candour.

    Ben x

  2. Ben Deery Says:

    Sorry, meant ‘honesty and candour’.

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