Ah, Forbidden Broadway. In a world full of people maddened by sport, this is my one chance to do an event with my people, appealing to our sense of humor: jokes about our passion – the theater. If you’ve seen it before, you might find the extended look at Les Miserables looking a bit shopworn; similarly, the Lion King shtick is no longer fresh (although for some reason I still think the Liza Minelli bit is funny).
But you do get some seriously barbed new material in this year’s revue. Among the shows they roasted were: Pajama Game; Charlie and the Chocolate Factory (which got its own number mocking the show’s technical failures and hum drumness as well as featuring in a “Sunday Roast” skewering the use of child actors); and Once (I still haven’t seen it but after listening to this tour of the show’s plot holes I feel like it may have been a bullet dodged). More generally, we were given a lovely song making fun of ticket touts to a tune from Guys and Dolls, and a number satirizing the involvement of corporations on Broadway. This was was too New York focused for me – with ATG and Delfont Mackintosh controlling so much of what is shown on the West End, I think a whole new piece could have been done.
But still: let’s examine the Blythe Spirit number, in which Angela Lansbury appears to answer the question of why she is appearing in an old show. Why, she replies, if I wanted something good, I’d summon up the spirits of my old and great friends and have them write something for me … because what I’m given is shlock. Now, with the brilliant state of new playwriting in London, I wouldn’t agree that you need Noel Coward back from the dead to create a show worth seeing … but when it comes to musicals, I think she has a point. Which is true of many of the songs in this show – and why I enjoyed it so much. I won’t normally splash out on full price tickets, but for once (and in part because, let’s be honest, full price at the Menier Chocolate Factory is hardly the same as full price for Skylight, is it) I did, and for me – and for you, if you’re reading this – it is an indulgence worth every penny.
(This review is for a performance that took place July 11th. The run has just been extended by two weeks, so why not do yourself a favor during the August doldrums and go for it? If you sympathize with the trials and tribulations of the hard core theater goer, this evening is made for you!)
Tags: Blythe Spirit, Charlie and the Chocolate Factory Musical, Forbidden Broadway, Forbidden Broadway at the Menier Chocolate Factory, Forbidden Broadway in London, Menier Chocolate Factory, The Pyjama Game