Mini-review – Ballyturk – National Theatre

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It seems like a new, 90 minute play would be the kind of thing I dream of, and it must be a dream for many people, because Ballyturk sold out pretty early in the run. I had a hard time getting tickets at all but finally succeeded; however, I really wish I hadn’t. What, you say, it’s an absurdist drama a la “Waiting for Godot?” Well, you know what, those gimmicky plays actually get boring pretty quickly and from the 30 minute point I was shifting uncomfortably in my chair desperately hoping something would happen that redeemed the time that was ticking by. Loud, incoherent heavily accented rambling, two dudes engaging in bizarre physical comedy: BORING! Boring boring boring! My only pleasures were listening to properly amplified 80s hits (My God Yaz in FULL STEREO! Can’t wait for the Alison Moyet tour!) and a completely surreal moment involving Jenga with wafer biscuits – otherwise I was clock watching and dreaming about other plays I could have been watching – or writing, for that matter.

Now, part of this play seemed to be about the nature of friendship (I felt), and it’s Big Picture Message was about how all life is ultimately a journey toward death and we all have to learn to let go. Well well. I can’t argue with a flaming cuckoo clock but it all just took SO long, and even for £25 I felt it was time and money poorly spent. Oh well – obviously many other people disagree and my review is coming too late to influence YOU, but I’ve said my bit: phooey.

(This review is for a performance that took place October 8, 2014. It ends Saturday October 11th.)

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One Response to “Mini-review – Ballyturk – National Theatre”

  1. Mk2b Says:

    Bless your honesty. Saw it in Galway, was impressed by the physicality of Murphy & Murfi’s performances (and, by God, yes, the Yaz), but have been liking the writing side of it less and less as the weeks go by. About a tonne too much “Aren’t I the clever boy?” on the part of Mr. Walsh.

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