But, really, there was something about the charming style of our glitterized celebutante with his gentle drawl and feeling of near iconic outsiderism that pulled me in right from the start. He knew as well as I do what a charming pile of lies hold up American culture and the American people, and he was going to aim his pop gun right between the eyes – BANG BANG! – and there goes another fine myth. The evening was, in fact, a series of short stories, told near-campfire style (“draw on up, kiddies, something wicked this way comes …”), each one creating its own dark world – world of reality and absurdity, clear fiction and near misses, drag queen rats mixing with broken celebrities and closet-case werewolf army assassins – a tossed salad of so many reconfigured metaphors that only the narrative provided the reality. I was absolutely locked in place as our fearsome conductor drove us out of the station into parts unknown, barely conscious of the extremely potent drink in my hands – and only when he stopped between stories to take a sip of water and have the merest of chats did I briefly come back down to earth, impatiently waiting for the voyage to recommence. I was hooked. And apparently he’s going to be doing this for the entirety of the Edinburgh fringe festival for free. You people don’t even know how lucky you are. Get on your brontosauri and get your asses over to CC Blooms – it’s time to let words blossom like corpse flowers in your fringe addled heads.
(This review is for the opening night performance on August 8th. Dandy Darkly’s Trigger Happy is in Edinburgh from August 8-30th.)