Review – Snow White and the Seven Poofs – Simon Gross at the Karma Sanctum Hotel


It’s been some years since I last saw this adult version of the classic Snow White, in an evening that broke my brain so hard I actually went back a second time. In fact, this show is the reason why I am now a connoisseur of adult pantos. Yeah, sure, Above the Stag may have all of the hunky boys in theirs, but Simon Gross has the bitchy drag queens and the jokes that leave me crying, with bonus audience hassling and great music. By the end of the night EVERYBODY was dancing along, and it doesn’t get better than that at a panto.

The new venue left something to be desired – while the Karma Sanctum Hotel is a sweet little joint, £12 cocktails are OW when you’re a reviewer on a budget and the downstairs room where the show was held had a completely flat floor that meant sight lines were not the best. But I sat in the front row, so I didn’t care, and to be honest with a sold out house that was probably soused when they got in the door, I doubt most of the other customers cared that much either.

The costumes are cheap and the cast is quirky (although Vicki Vivacious is not just lively as Snow White but proves quick with insults and banter – two customers who popped to the loos during a scene were rewarded with her appearing from behind the curtains to render judgement on their “qualifications”), and there’s no doubt in my eyes people who are looking for a trad panto will find much to complain about. But what did I get for my £20? Great jokes from “Queen Showbiz” (Simon Gross as a very unattractive stepmother); truly funny dance numbers done by a talented cast (the YMCA one introducing the dwarves, including Sub, Dom, and Muscle Mary was right on the money); piles of improv (sometimes as people forgot their lines but whatevs); and GOOD music we were encouraged to sing and dance to.

YMCA as danced by Snow White’s Dwarves. Poofs.

And you know what? The audience was in to it. They were dancing, they were laughing at the jokes (even when they were being made fun of), they were clapping and roaring with laughter. Compared to the rather stiff show I saw at the Hackney last week, this was miles ahead if fun is what matters to you. It feels rough and sometimes tattered, but to me this has more of the true feeling of the British music hall tradition and the true sense of panto than any show with a million pounds to spend on costumes and top notch professionals combing through their scripts to make sure every little joke is guaranteed to offend nobody. I’m glad I went back and I’ll be looking for Gross’s panto next year; this is the perfect remedy for the Christmas blues. For me, it was the bubbles in my champagne – or, let’s be honest, cava, because we’re not that high class. Be sure to drink heavily before your arrival and DON’T sit in the front row.

(This review is for a performance that took place on Tuesday, December 19th, 2017. It continues through January 7th. It’s apparently selling out so if you want to go get your tickets now, the venue is SMALL.)


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