Interviewer: So, TL, you’re accused of basing your plays on your life and people you know. What do you say to that?
Me: 100% true! I’m just lucky that I’ve lived long enough to have lots to write about.
I: Isn’t this unethical?
TL: I’d ask Tennessee Williams and Eugene O’Neill.
I: Aren’t you worried about running out of material?
TL: No, I’m worried about running out of time.
I: Wouldn’t you get more writing done if you lived someplace quieter?
TL: For a while, but then I’d lose that buzz for writing I get living in such an electrifying environment. Stewart Pringle, Sophia Conner (my dramaturgue), Ralph Bogard, Erin Wilson… Being in London makes me want to make theater. Talent, venues, collaborators … it’s just heaving with possibilities.
I: Don’t forget the inspiration of seeing so many other plays!
TL: Oh yeah, always nice to have one of those nights where you go, “Yeah, I could do better than that.”
I: That’s not what I meant.
TL: Really? I promise you, when I walk out of a Jez Butterworth or Mike Bartlett, all I’m thinking is, “Might as well throw in the towel, I’ll never be that good.” But then Alan Bennett writes a new play, and I think,”Oh yeah, always room for one more.”