Posts Tagged ‘Naomi Frederick’

Review – The Mentor – Vaudeville Theater

July 26, 2017

Walking down The Strand on my way to a show, I noticed that there seemed to be a lot of new plays on that I’d overlooked. Look, right next door to Kinky Boots, a show called The Mentor, about which, seriously, not a peep. Now I know I’ve been keeping a low profile due to “cheap” meaning “no seats at all,” but it seemed odd that there was a show on the West End that had managed to completely fly beneath my radar. Half of what’s on right now is just last spring’s leftovers, and there’s a huge changeover happening as shows like The Girls and Beautiful end their runs. I did a bit of research – it was an 85 minute comedy about two playwrights having a clash of egos. Well, hell, I’m writing plays, why not come? If it had been in real life I would have paid solid money for it – much like I would have to have seen Stoppard and Pinter playing cricket.

The idea behind this play is that two men, an established playwright, Benjamin Rubin (F Murray Abraham) – who has done little of note since his first, tremendous play – and a up-and-coming playwright, Martin Wegner (Daniel Weyman), are being brought together courtesy of an arts organization that wants to raise its profile by getting a “mentorship” program established. Neither men seems to relish the actual “mentoring;” the older one is only there for the money and the younger one is just hoping to get a boost to his reputation. Meanwhile, apparently because there wasn’t enough dialogue to flesh the play out otherwise, we have two additional characters, the foundation’s representative (Jonathan Cullen) and the playwright’s wife, Gina (Naomi Frederick), who are given very little to say. Gina bigs up the elder playwright and gives her husband a foil, although she does manage to come into her own; poor Cullen has nearly nothing to do besides look hopeful and make beverages. Still, the addition of Gina to the plot makes the struggle between Rubin and Wegner far more visceral that it would have been if they were just discussing realism versus, er, non-linearism; Rubin wants to win this game on a more than literary platform.

While Rubin as a character is so well written and well played that the entire exercise seems to swirl around him – he is, after all, “the mentor” – the egotism, fragility, and, well, whiny man-baby aspects of his mentee are also a delight to see spattered on the stage. There’s little discussion of what actually makes a good play (I would have enjoy this) but much about how one survives in the creative world – whether by living off of one’s wife, using one’s artistic nature as a club to control others, finding the best way to make people laugh at parties, or by constant self-pimping – that provide unflattering insights into the actual life of artists as well as giving the audience plenty of comedy fodder. In the end, The Mentor seemed a slight play, but well done in its smallish form – a sort of perfect after work snack. Not every night is meant for Virginia Woolf or Hamlet; The Mentor is short and sweet and suited me nicely.

(This review is for a performance that took place on Friday, July 21, 2017.)

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Review – Noël Coward’s Brief Encounter – Kneehigh Theatre at The Cinema Haymarket

June 18, 2008

(This, my favorite show of 2008, is now in New York City at Studio 54. Both The New York Times and blogger Steve On Broadway love this show – don’t miss it!)

Several months ago I heard about a unique hybrid production of the movie of Brief Encounter and the play that inspired it (Still Life), presented in the cinema where the movie premiered back in the day (restored to its glory for the show). I was intrigued but held off going so that I could attend with a gaggle of my friends. Time passed, the event hadn’t been organized, and my uncle was in town looking for a show to fill the slot on Sunday (which in London means slim pickins, no doubt about it). Torn between seeing an opera none of us had much of an interest in and a show that I personally was quite interested in, based on a movie my uncle loved, it wasn’t too hard to make the argument for skipping Covent Garden in favor of the Cinema Haymarket.

And what a good choice it was! Brief Encounter is pure theatrical magic. I can hardly sing its praises highly enough. In part, I think, I just didn’t know what to expect – I thought it was going to be people performing the dialogue in front of a movie screen. This did happen – for about the first five minutes of the show … but as it was performed, two of the actors were in the audience, and one of the “actors” was on the screen, addressing one of the people in the audience – so it was completely unlike the audience participation version of the Rocky Horror Picture Show, which was kind of what I thought the show was going to be like.

Instead, what we got was a full-fledged multi-media show with just that clip of film as its basis, with live music and multi-tasking character actors (a cast of eight, I think?) that occasionally sang and danced and even bounced up and down in unison to indicate the passage of a train. Our star-crossed lovers, Laura (Naomi Frederick) and Alec (Tristan Sturrock) plunged into it all whole-heartedly, taking us on a boating trip, dancing in the air with joy, being kind and thoughtful to each other, and falling in love in most heart-rending fashion.

Meanwhile the rest of the brilliant cast was hamming it up in a variety of roles my uncle claimed saw little screen time in the original, but which added a lot of texture (in the form of two other love affairs) and provided the opportunity for all sorts of hijinks. It all ended in a fairly melancholy way, but we were so energized from the rest of the show, who could care? And as to the (American) woman in the bathroom who said that she didn’t remember Brief Encounter being a comedy – I say, you make a show that works in the medium you’re using, and this was a brilliant piece of theater.

My uncle, who’s retired, said Brief Encounter was worth paying full price to see – and considering he paid for three tickets, I consider that quite a compliment. (The matinee wasn’t available at the TKTS booth, although it often is for evening shows.) Also, after seeing four plays in four days (six for him), we all agreed that this was the best of the bunch – the icing on the cake for his trip to London. For me, it’s the best play I’ve seen in at least three months, possibly the year to date, and the only one that I’d go see again.